Episode 18: The Unquiet Dead

The Daleks Aren’t Robots team return to the Ninth Doctor in our first modern Who episode not penned by Russel T. Davies.

How do we feel about the new writer, and can Kari handle the story’s portrayal of Charles Dickens?

Find out!

Daleks Aren’t Robots!? is a podcast in which two Whovian friends take two non-Whovians on a deep dive through the show from the very beginning.

Facebook: https://www.facebook.com/daleksarentrobots

Twitter: https://twitter.com/daleksrntrobots​

Find us on YouTube: https://www.youtube.com/channel/UC8ngosXDOzVLrJe4KIcW8Qg

Look for us where all podcasts are found.

See more at https://daleksarentrobots.com/

Theme: Garage – Monplaisir

Podcast Contents Include

Editor’s Note: The following are my original notes for the podcast, slightly edited for readability. They’re very far from the full contents of the pod, though.  – Kari

SUMMARY

We see a dead old woman come to life and escape the undertaker and his maid, killing her grandson; the undertaker and maid The Doctor and Rose aim to go to Naples in 1860 but end up in Wales in 1869. They meet Charles Dickens and stumble across an undead woman, who then falls over.

Rose is kidnapped by the undertaker and the Doctor pursues with Dickens. They get to the undertaker’s house.

Rose learns the maid, Gwyneth, can read her mind and has “the sight.” The specter appears and says they’re the Gelth and they can’t exist properly there, and if Gwyneth opens the way for them they can possess dead bodies and survive that way.

They were all killed in the Time War.

There’s a brief argument about whether allowing them to possess bodies would be OK and Gwyneth opens the way. The Gelth turn out to be evil, they kill the undertaker and Gwyneth explodes the house with her in it to stop them, the second woman to immolate herself on behalf of the Doctor in a row.

OUR TEAM

Rose:

  1. I like Rose in this one. She stands up to the Doctor as much as she can, and doesn’t let him bully her. Her misgivings about Gwyneth helping the Gelth prove correct.
  2. Her hair looks really period appropriate in this one. The dress isn’t quite right, but that might be more in the way it’s worn than the dress itself.
  3. We learn her dad is dead.
  4. She does get locked in a room and menaced again, this time by zombies, and the Doctor saves her by grabbing her hand and yanking her five feet or so, just like in the first episode.

The Doctor:

  1. The Doctor is kind of a jerk in this episode. He wants to give people’s corpses to the Gelth without their consent, and he’s also kind of nasty to Rose about it.
  2. He DOES apologize to Dickens though, which was nice.
  3. I have no idea how he knows the stuff he knows. He just seems to know things intuitively for some reason.
  4. He does seem to have ADHD or something as well. Is this a non-neurotypical Doctor?

The Tardis:

  1. Still sounds hungry, and was referred to as a “shed” in this ep. 😦

THE OTHERS

  1. Charles Dickens is a main character in this, but I’m not sure why. It’s a ghost story and it’s December 24th but Christmas doesn’t come into the story at any point. Dickens is portrayed as a skeptic, how close is that to reality?
  2. Sneed is the Undertaker, he’s sort of an ordinary person. He is killed.
  3. Gwyneth is the maid who lived in the house on the dimensional rift that the Gelth “haunted.” She’s a nice ordinary girl but she grew up tied to the rift and her mom told her she had The Sight. She can communicate with the Gelth, has a strong sense of morals and is very Christian. She believes the Gelth are angels and she helps them, then sacrifices herself to save the world.

THE SETTING

  1. The Doctor says that history can be rewritten in a snap. So they CAN change things? Or is he lying. Or was First lying? Or is Doctor Who continuity a laugh and a half, amIrite.
  2. Cardiff in Wales. Which apparently is a terrible place or a joke or something? The dialogue twice implies “ew, Cardiff,” and as a nonBrit I don’t know why, it seems perfectly nice to me.
  3. Generic Victorian.

THE PRODUCTION

  1. How accurate is Dickens?
  2. “What the Shakespeare”? Why the weird fake swears?
  3. “Prevaricate”?
  4. Do the Gelth come back? At one point I said “Because the Doctor killed them!” Then they said it was the Time War so… DID the Doctor kill the Gelth?
  5. How many women have immolated themselves for the Doctor? Is this gonna be a trend?

General

Lawrence Miles “Review Issues”

Reviews

BTS

Phantasmagoria

Ghost Club Dickens

Dr. Who Confidential

Too Scary

Mark Gatiss Interview

Cast Information

Mark Gatiss Video Diary

Episode 17: Daleks’ Invasion Earth: 2150 A.D.

This week on Daleks Aren’t Robots!? the team looks at the second and final Peter Cushing Doctor Who film.

How do they feel it compares to the serial it’s based on?

Find out!

Daleks Aren’t Robots!? is a podcast in which two Whovian friends take two non-Whovians on a deep dive through the show from the very beginning.

Facebook: https://www.facebook.com/daleksarentrobots

Twitter: https://twitter.com/daleksrntrobots​

Find us on YouTube: https://www.youtube.com/channel/UC8ngosXDOzVLrJe4KIcW8Qg

Look for us where all podcasts are found.

See more at https://daleksarentrobots.com/

Theme: Garage – Monplaisir

Podcast Contents Include

Editor’s Note: The following are my original notes for the podcast, slightly edited for readability. They’re very far from the full contents of the pod, though.  – Kari

SUMMARY

Same as the show, mostly… mostly.

For this outing the team is Dr. Who, his neice Louise, granddaughter Susan and a cop who accidentally ran into the TARDIS trying to call the station for backup after a robbery. They head to 2150… for some reason… and the Tardis is immediately buried in rubble when Susan kicks a thing. Tom the Cop rescues Susan and then keeps her safe when it happens so we know he’s all right.

They split up and find Daleks have occupied the planet, meet a resistance that’s pared down to three guys and a bunch of extras, and head to a mine where the Daleks are forcing humans to dig a giant hole so they can detonate a bomb, suck the core out of the earth and use it as a spaceship to go back to Skaro and occupy THAT. Are these Daleks still fighting the war against the Thals?

Hijinks ensue, but in the end the group thwarts the Daleks with the help of some sticks, magnetism and a whole lot of ridiculous “science.” Earth is liberated, Tom is sent home to in turn decisively thwart the robbers who beat him up at the beginning and we all wonder why the hell Louise was even in this story.

THE TEAM

  1. Dr. Who is the kindest, gentlest doctor still. He adores his niece, he’s super smart but not at all arrogant about it, which means he sometimes totally fails to grasp that other people totally fail to grasp what he’s saying. It’s cute. I felt really sorry for him when he beat the escape room and then got caught because he wasn’t being a jerk about it.
  2. It’s nice to see this without the “Susan is departing” baggage. Also this Susan is a great little kid. She’s smart, but still a child and occasionally does silly kid things that get her into trouble, like kicking the thing that causes the rubble to fall, or saying BOO to Wyler while evading Daleks. But she’s also a very sweet little girl. She apologized to Wyler about the “boo” thing, and she also fetched a towel for him when he was washing his face after he came back from the disastrous battle with the Daleks. Her chemistry with the Doctor and with the grumpy Wyler is great.
  3. Louise is the Barbara stand-in, but she really does very little in this story. Initially I thought they were going to pair her off with Tom or maybe still David but they didn’t even do that. She doesn’t get any of Barbara’s boss actions, but she also doesn’t get anything new. Waste of a part really.
  4. Tom is the Ian stand-in, a policeman who gets into the Tardis thinking it’s a police box and then faints due to his robber-inflicted head wound. He gets taken with. He’s pretty brave, he DOES try to protect his fellow people and is willing to risk himself to do so, and he’s also bemused a lot of the time which is cute. He’s pretty likeable, and kinda stands in between real Ian and Other Movie Ian as far as personality goes. There’s a good slapstick physical comedy moment with him as he pretends to be a robo-man, and it’s genuinely pretty amusing because it looks like he really is trying to keep up with them and not just goofing around.
  5. The Tardis. Buried in rubble for most of the movie, poor thing.

THE GUEST STARS

The rebels are a LOT better now. They condensed them!

  1. Dortmun is David Boreanaz now! Seriously, he looks like a 60s David Boreanaz, it’s kind of great. Also, I apologize for calling him Wheelchair guy last time; that was pretty insensitive and ableist. I’m very faceblind and I have a hard time telling people apart in movies, so I usually pick the most obvious visual cue like hairstyle or clothing. Unfortunately I picked the wheelchair and was accidentally super ableist. Sorry guys. Anyway, Dortmun is Angel and he’s actually much cooler here; his speeches are briefer and more actually inspiring, his bombs work perfectly well against robo-men (though not against Daleks) and when he sacrifices himself he does take a bunch of Daleks with him. He was cool.
  2. Tyler the rebel I didn’t care about became Wyler, a rebel I DID care about. He was gruff and pessimistic and a little bit scary when he came and barked at Louise and helped her to the rebel hideout at the very beginning. He ends up getting injured in the attack on the Daleks and then helps Susan look for her grandfather. He shields her with his body when the Daleks photon torpedo a van they were riding in, and is genuinely pretty caring if a bit curmudgeonly. At the end I wished they’d take Wyler with them, it’s almost like they split the Doctor into two people, a sweet old man and a grouchy but still very cool one, and I liked it.
  3. This David is way more charismatic than the other one. He’s a quieter rebel, but he’s also insistent on saving people despite risks every time it comes up, even strangers they don’t know. He’s got a bit more dynamic of a personality and he helps the Doctor get to the mines.
  4. The two women who betray our people now betray Susan and Wyler–a CHILD and a wounded man–instead of two capable adult women, and then they laugh smugly about it, so they’re definitely evil this time.
  5. The War Profiteer/Black Marketer is not eaten by the slyther since there isn’t one. Instead he is EXPLODED by Daleks after he betrays hte Doctor.
  6. The Daleks are… not really Nazis here, although they’re definitely still the bad guys. I feel like a lot of the Nazi stuff got filed off for the movie along with the location-based stuff and the grittier, more opressive atmosphere.
  7. The Daleks still come in many colors, including red and black and silvery, and while they don’t have tiny satellite TV dishes anymore they do have hoverskirts like Tom Servo.
  8. People talk about Daleks and stairs but in this one, a ramp murders a Dalek. And then a Dalek is thwarted by putting a tarp over it, like it’s a hawk.
  9. The Robo Men are now all wearing motorcycle gimp suits and this includes a motorcycle helmet and reflective sunglasses. Why?
  10. The robo-man drowning at the beginning is gone, but the robomen do still have whips and we even see one deployed a couple times. Was the body removal part of the overal removal of the Nazi stuff or was it due to complaints?
  11. Also why are all the robo men men? Are the Daleks sexist? Are women too smart to fall for the escape room trick?

THE SETTING

  1. Why ARE we going to 2150 London? They never say.
  2. The on-location stuff seems to all be gone, alas, I kind loved that.
  3. The Easter candy aesthetic of the Daleks is MOSTLY gone but their flying saucer has some minty interiors and also some less beautiful but equally colorful and cool consoles. They also do still use shower curtains in their decorating.
  4. The flying saucers in this one are totally different than the adorable pie plate saucers in the TV version but the are GREAT. They are basically what roombas would have looked like if they’d been invented in 1965. Also the flying saucer HAS PHOTON TORPEDOS.

THE PRODUCTION

  1. WHY IS LOUISE?!?
  2. I realized on the second watch through that this movie isn’t Doctor Who, it’s Escape the Bronx’s sequel, Escape the London.
  3. The music is great in this, it’s so very 1960s and the krumhorn guy needs to go watch this to see how you do themes for bad guys and such, because the Robo Men’s theme is used perfectly. Did this guy do anything else?
  4. I didn’t think I was gonna see the doctor in a rubber gimp suit, but here we are.
  5. Even the movie acknowledges that the Daleks’ plan is insane. How did the Daleks’ plan get MORE messed up for the movie??! HOW IS THAT POSSIBLE!?
  6. The Daleks use the term “rels” a couple times, what is that?
  7. Remind me why they didn’t make a third one?
  8. Was this movie successful?

General

Peter Cushing Sick

Daleks

Cushing radio play

Radio play pilot reconstruction with original script

Rels

Terry Nation Army

Dalek Origin

Contemperary Reviews

Third Movie

Fake Trailer

Episode 16: The Dalek Invasion of Earth

On this episode of Daleks Aren’t Robots!? we return to Hartnell and to the Daleks as we also say goodbye to a companion who has been with us from the beginning.

Daleks Aren’t Robots!? is a podcast in which two Whovian friends take two non-Whovians on a deep dive through the show from the very beginning.

Facebook: https://www.facebook.com/daleksarentrobots

Twitter: https://twitter.com/daleksrntrobots​

Find us on YouTube: https://www.youtube.com/channel/UC8ngosXDOzVLrJe4KIcW8Qg

Look for us where all podcasts are found.

Theme: Garage – Monplaisir

Podcast Contents Include

Editor’s Note: The following are my original notes for the podcast, slightly edited for readability. They’re very far from the full contents of the pod, though.  – Kari

SUMMARY

The Tardis FINALLY reaches London but it’s not the London Ian and Barbara came from. We know this because there’s a sign that says “Emergency Regulations: It is forbidden to dump bodies into the river.” Despite this a guy immediately dumps himself into the river.

Susan gets hurt trying to figure out when they are, the Tardis’s door gets blocked by rubble and the men go off to look for a way to remove the rubble. Some rebels show up and there is a flying saucer that is adorable. The boys find a whip and a guy packed into a box, which like… no comment.

Then a Dalek comes OUT OF THE WATER. There are aquatic Daleks now? WHAT.

It is the future, 2164. The Daleks are “masters of the planet,” are digging under Bedfordshire, and are able to turn humans into robots, but there’s still human resistance. The boys get taken onto the saucer, the girls meet more resistance people and the rebels plan to attack the Daleks. There’s a LOT of stuff with the rebels, a lot of whom die, and/or become robo-men. Eventually they go to Bedfordshire and find out the Daleks utterly absurd plan, which is to replace the planet’s core with an engine and turn the whole thing into a spaceship, which is not how any of this works, but whatever.

Barbara runs some Daleks over with a truck, a tiny alligator in a sewer menaces Susan, and a Dalek keeps a hilariously adorable monster called a Slyther as a pet. Everyone is reminded that the Daleks ARE the Nazis, actually, right down to firebombing London and being very fashy.

Eventually they manage to use the Daleks’ system to tell the robo-men to turn on the Daleks, there’s a massive rebellion and the Daleks are either killed or chased away, exploding into stock footage.

One of the rebels asks Susan to stay and she doesn’t want to have to choose between him and her grandfather, so the Doctor chooses for her and locks her out of the Tardis. She doesn’t object, though, and Susan leaves the show.

The end.

THE TEAM

THEY STOPPED SPLITTING UP ON PURPOSE.

  1. Susan leaves the show in this episode, which kinda sucks. While I can totally buy that she falls for the rebel David, there’s not enough of this relationship shown to make it plausible. Also, she’s given a few lines about how she doesn’t really have an identity, which is bull, and that they always just leave planets when there are problems. The thing is Susan HAS an identity and a pretty great character… when the writers bother with her at all. If only she’d stayed as smart and cool as she was in the first serial!
  2. The Doctor has some great moments in this one. His speech at the end to Susan is really touching, and he doesn’t ACTUALLY take the decision wholly out of her hands–had she said anything to stop him he probably wouldn’t have left her. He says some condescending stuff to her earlier on but in a way that makes it clear that he doesn’t really believe it, about how she needs to be “taken in hand” and stuff. There’s also a great series of scenes where he solves a Dalek puzzle and brags about how smart he is, only to be dragged away by the Daleks because he just proved he’s smart enough to be a robo-man. Oops.
  3. Barbara is a boss here, as usual. She bravely escapes from the Daleks, helps the rebels out regardless of what that entails, and bowls for Daleks while driving a massive freaking truck, which was awesome. She’s paired with a rebel woman for a lot of this episode and she’s by far the more active and decisive of the two. She even bullshits the Dalek leaders to try to get to the transmitter so she can tell the Robo-Men to rebel, but this doesn’t work. Eventually this plan IS used to win, though!
  4. Ian is also pretty great in this episode. He has come a LONG way, and not only does he use his Action Physicist powers to good effect, evading Daleks and the Slyther, but he ALSO is responsible for the ultimate failure of their plan, because he puts some sticks in the way of their “destroy the core” capsule thingy.
  5. The Tardis. Is mostly under the rubble in this episode, probably because no one has fed her. Why do they keep parking the Tardis in the worst possible places?

THE GUEST STARS

Honestly there are a lot of rebels and most of them aren’t that memorable but at least do have a couple character traits.

Rebels

  • Not Churchill Guy: Is a “smart” rebel and makes bombs to use against the Daleks, but ends up killing himself when he thinks he’d stop Barb and Blondie from escaping. His bombs don’t really work–are they meant to be an analogy for what if we didn’t have the atomic bomb?
  • Blondie: The most prominent female rebel, she has been resisting the Daleks a long time and is kind of worn down from it, but she’s still doing it and she’s still brave and smart.
  • David: The guy Susan stays behind with. He’s brave and seems nice but like… we don’t know him that well. They have a couple good moments together but it’s not enough and he’s not compelling enough to make it work because the actor just doesn’t have the time to do it.
  • There are a couple other rebels that get nice vignettes, like the guy who is just looking for his brother, who finds that he has been turned into a robo-man and then is killed by said robo-man brother. Then there’s a greedy war profiteer black marketer who is killed by the Slyther. And a couple others.

Other Humans

There are two women living in the woods who betray Barb and Blondie to the Daleks and receive food from it. While the show clearly doesn’t approve of this action they aren’t portrayed as negatively as they could have been.

Daleks

  • Clearly my comments about the Daleks from the previous episode went back in time and Terry Nation heard them because this episode really hammers it home: THE DALEKS ARE THE NAZIS. They firebomb London. They have a leader called a Commandant. The Daleks make a Selection from their prisoners to decide who becomes robo-men. They enslave and brainwash people and use them against their fellows, like the sonderkommandos. Some of the imagery looks like it could have been taken directly from the actual Blitz and I think this would have hit home MUCH HARDER with audiences that fresh from World War II and the Nazi bombings they would have experienced or heard their parents talk about.
  • I feel like Nation really asked himself “what would a British resistance have looked like?” and just made that. Everyone has a stiff upper lip, even those who are exhausted by all the fighting and only one guy seems to be genuinely villainous. Even the women who betray Barb and Blondie are mostly just desperate.
  • The Daleks now have air power and can submerse themselves in the river. They are no longer bound to roll only on metal and seem significantly faster too. They also come in multiple colors now, including black and striped, though it’s still black and white so it’s kind of hard to tell what other colors they are.
  • There is now a Dalek leader with a voice slightly different than those of the others. Is this where Trek got the Borg Queen from?

THE SETTING

  1. Well, we’re back in London. The scenes of the group sneaking around London and evading Daleks and robo-men are amazing and wonderful and I love them.
  2. It’s also a decayed London. Some places look pretty decayed, others don’t, it just kind of depends, but overall they did a great job. The “It is forbidden to dump bodies into the river” sign is kind of iconic.

THE PRODUCTION

  1. What were the connections with World War II in this movie?
  2. There was some stock footage in this movie and I wondered if they actually used any real footage from World War II?
  3. Why did Carole Ann Ford leave? What was her career like afterward, and how did she feel about being part of the Who phenomenon?
  4. Why did they write Susan leaving as they did?
  5. How many Daleks did they have for this serial? I can tell there are more but are there more than 4? What color WERE they IRL?
  6. What locations did they shoot at and what was done on set?
  7. Were there toys? What about soap? Dalek soap? Is there Dalek soap?
  8. DALEKMANNNIIIIIIAAAAAA.

DALEK SCORE

This episode drags a bit, and honestly there are too many characters. They should have cut some of the rebels and given more time to David to make Susan’s departure more plausible. Overall, though, it’s pretty well paced and beautifully filmed, especially given the budget they were probably working with, and so I’d say 4/4 Daleks for this one. It’s everything I want from a Doctor Who so even though it sometimes drags a bit things are still HAPPENING during the dragging parts.

Sources Include

Dalek Product Pictures

Episode 15: The Silurians

On this episode of Daleks Aren’t Robots!? we meet another of the Doctor’s famous adversaries, the sympathetic Silurians.

This episode opens us up to such topics as genocide, misinformation during an epidemic, the hazards of nuclear power…and an adorable pet dinosaur.

Facebook: https://www.facebook.com/daleksarentrobots

Twitter: https://twitter.com/daleksrntrobots​

Find us on Buzzsprout: https://daleksarentrobots.buzzsprout.com/

Theme: Garage – Monplaisir

Look for us where you get your podcasts!

Podcast Contents Include

Editor’s Note: The following are my original notes for the podcast, slightly edited for readability. They’re very far from the full contents of the pod, though.  – Kari

SUMMARY

Two guys in spelunking gear are attacked by Godzilla. It turns out an “atomic research center” is experiencing power losses described as “leaks” and UNIT, including LBS, Liz and the Doctor, are brought in to find out why.

They eventually find out that the Silurians are the culprits–they are lizard people that resemble the Gill Man, native to Earth, that put themselves into suspended animation a long time ago because they believed an asteroid was going to hit earth, and now that they know it didn’t they want to wake up their whole population and take over the earth, as they were legitimately here first.

The Doctor spends most of the episode trying to convince the Silurians not to murder all the humans and trying to convince the humans not to murder all the Silurians.

Unfortunately, the Silurians have an internal power struggle a lot like that of the Sensorites, but it ends in a Silurian murdering the peaceful Silurian leader and releasing a plague on the humans that seems to have a 100% kill rate and an incredibly rapid spread. Literally incredible, as we see a TON of people die and the disease spreads to France and likely the whole world.

The Doctor finds a cure to the “bacteria” that cause the disease but it’s not penicillin or some other antibiotic. Nothing about producing enough of it for everyone quickly enough or distributing it, and apparently UNIT managed to cover all this up SOMEHOW even though a massive number of people in London and elsewhere have DIED, which is absurd.

There’s some power jockeying with the Silurians, they take over the atomic research center, the Doctor manages to scare them all back into hibernating by convincing them the whole area will be irradiated and he expects to come back and study their setup.

Then LBS commits genocide by blowing up the Silurian compound and sealing the door shut. And the Doctor and Liz are sad and I’m confused about why a kids’ show just showed the good guys genociding some lizard people, and sad and angry that we just watched The Sensorites but with a really depressing ending that again, is the GOOD GUYS GENOCIDING SOME PEOPLE with no consequences shown and barely any discussion of the fact that the GOOD GUYS GENOCIDED SOME PEOPLE.

THE GENOCIDE

  1. I’m actually not sure on a second watchthrough that it WAS genocide. Maybe he just bombed the entrance to close it off? It doesn’t sound like it.
  2. I just… what… THIS IS A CHILDREN’S SHOW.
  3. WHAT THE HELL SHOW. I’M TRYING TO LIKE YOU. STOP MAKING IT DIFFICULT.
  4. Here’s the thing. The episode ENDS with the genocide and it’s BARELY addressed. Does the Doctor stop working with UNIT after this? Does Liz? Does LBS get called up on war crimes? Does ANYONE?

OUR TEAM

  1. The Doctor gets a lot of great moments here, trying to convince both sides to not murder each other. He also makes it clear that he’s not a human, though he claims to be several thousand years old (I think he’s lying but it’s not totally plain). At one point he does hide information and it does come back to bite him in the butt. Also the doctor wears a spelunking ascot and it’s adorable.
  2. Liz gets some good moments too, helping with the scientific stuff but also some of the skullduggery. She gets attacked (pushed gently) by a Silurian and has a pretty sensible reaction to it, particularly compared to the reactions of others.
  3. LBS commits genocide and also acts like an asshole throughout a lot of this one. Sometimes he’s reasonable but he’s also very jerky in a lot of it for no obvious reason. Also he should pay for his war crimes.
  4. Bessie is cute and cool and I like her. Tell us about Bessie.
  5. The TARDIS is nowhere to be seen and I hope someone is feeding her. Maybe she could eat LBS.

THE OTHERS

So many characters.

  • Combover: The lead scientist of the facility, he’s also an antivaxxer and doesn’t believe in the Silurians. He gets the plague and dies yelling at people about how the plague is totally fake you guys, which is hauntingly on point.
  • Martin Freeman: Another scientist who tries to use the Silurians to get scientific advances, ends up holding one captive and then is kind of killed by them, but actually had a heart attack.
  • Martin Freeman’s secretary: She helps Martin Freeman and after he is killed she advocates for murdering all the Silurians before they murder us.
  • Baker: A nut who wants to kill all the Silurians and also is patient zero of the plague. He dies.
  • Politician: He comes to figure out wtf is going on in the facility and basically spreads the plague to London when he tries to go home. and dies.
  • Silurian Leader: A decent person who is concerned about the humans but becomes convinced we’re intelligent and doesn’t want to genocide us. Then he’s murdered by another Silurian.
  • Mean Silurian: He wants to kill all the humans so the Silurians can have the whole world, even though they probably don’t want all of it because it’s too damn cold.
  • Fido: The dinosaur pet of the Silurians, who looks like a man in a godzilla suit, but is supposed to be bigger. It’s adorable.

Lots of others we don’t really care about.

THE SETTING

  1. Earth in the 70s. There are lots of caves and a research facility. The facility looks pretty sciency and the caves look pretty cavey.
  2. The Silurian area of the caves looks pretty neat, with green slabs of material made to a proportion humans wouldn’t make things, to accomodate their dino pets.
  3. There’s NO WAY the public doesn’t know about the plague with a death count that high. How the HELL do they cover this up?

THE PRODUCTION

  1. The plague. How did they come up with that and what was it based on? I knew the antivax movement was old but I didn’t know it was that old.
  2. The sets look really good here, are they sets or real?
  3. More about Bessie?
  4. Music.

Sources Include

General Sources

Contemporary reviews

Fan discussions and analysis

Bessie

BTS pictures and articles on production

Nicolas Courtney Acting

Carey Blyton Composer

Moon Origin theories

Silurian Hypothesis

Silurian Book adaptation Written by Malcolm Hulke

Episode 14: End of the World

CONTENT WARNING: Discussion of transphobia, body dysmorphia and eating disorders

We jump back to modern Who with the 2005 episode End of the World.  As Rose jumps 5 billion years into the future to witness her planet be consumed by fire, we witness the continuing attempts of Russell T. Davies to make Doctor Who work in modern TV.  Does this attempt work better for us than his pilot episode? WILL ANYONE SURVIVE? ARE THERE KITTENS? (There aren’t.)

Daleks Aren’t Robots!? is a podcast in which two Whovian friends take two non-Whovians on a deep dive through the show from the very beginning.

You can find special guest, Ilana on:

TikTok: https://www.tiktok.com/@ilanapon47?lang=en

Instagram: https://www.instagram.com/ilanapon47/

Etsy: https://www.etsy.com/shop/RoguishRelics?ref=search_shop_redirect

And you can find us:

Facebook: https://www.facebook.com/daleksarentrobots

Twitter: https://twitter.com/daleksrntrobots​

This Episode on Buzzsprout: https://www.buzzsprout.com/1612663/8515417-episode-14-end-of-the-world

Look for us where all podcasts are found! Also in the hearts of children everywhere. Their dark, evil and wicked hearts of darkity-darkness and ravenous TARDISes.

Podcast Contents Include

Editor’s Note: The following are my original notes for the podcast, slightly edited for readability. They’re very far from the full contents of the pod, though.  – Kari

SUMMARY

The Doctor takes Rose to the End of the World, 5 billion years in the future, which is the worst idea for a first date ever. A bunch of rich people are watching the sun go nova, but one of them sabotages the space station they’re on. Rose gets stuck in a room while the Doctor saves the day.

OUR TEAM

  1. The Doctor is the star of this episode… to the detriment of every other character in it. It seemed super familiar to me but I couldn’t place it, and then I realized what it reminded me of: Twilight. In this episode specifically, the Doctor is Bella Swan and the other characters only exist to develop his character, to tell him how great he is and to flirt with him, unless they’re bad guys. Then they exist to be killed by him.
  2. I think it’s from the way that they basically hired fans of the Doctor to write the show. And they were fans of the Doctor, so at least in this episode, they did a fanfic, putting their OC version of the Doctor center stage to show off how cool he is. Like Twilight, it’s basically a canon fanfic, and not a good one. Every version of the Doctor I’ve seen has been arrogant, but the show KNEW it and didn’t frame it as a good thing, and allowed him to get his comeuppance from time to time. This show or at least THIS EPISODE doesn’t know it.
  3. I do like the characterization here of the Doctor as childlike and a bit giddy. He does murder someone on screen though, with nary a lampshade to be seen…
  4. After a whole episode setting up Rose as our POV character, in this episode she gets damseled hard at about the halfway mark and is reduced to lying down and whimpering while she waits for the Doctor to save her and everyone else. It’s not just that it’s kind of sexist, although it is, but it’s also bad writing. You spent that long setting up a POV character for the audience and then sidelined her to create a second POV character who is then incinerated? Sure, Ian. Sure.

THE OTHERS

This episode seems to have issues with women.

  • Jabe, the tree, exists to flirt with the Doctor, to feel sorry for the Doctor, and then to sacrifice herself so the Doctor can be a hero. It’s a shame, because her design is neat and she seemed like an interesting person. It almost seems like Rose was supposed to help the Doctor at the end but they replaced her with Jabe at the last minute or something.
  • Raffalo, the plumber, chats with Rose a bit but then is killed by the plot.
  • Cassandra, the “Last Human,” is heavily female coded but says she was a “boy.” She is racist. Her main trait is that she’s vain and has gotten plastic surgery so many times she’s just skin stretched on a rack with some makeup on it. On the bright side she did convince me to up my moisturization regimen, so there is that.
  • Jackie only appears for a few minutes but still manages to talk about how Rose should get her money back for something and tell her to pick her up a lottery ticket, because the greedy poors want the moneys, I guess.
  • The Steward is not a woman, but the plot kills him off pretty quickly to show that the spiders are a murder weapon for sure.

THE SETTING

  1. The Setting IS the characters in this one, mostly, and they are actually pretty great designs. Some of them look a bit silly, yes, but the designs are different and interesting, and it’s good to see the show taking advantage of its newly-acquired budget of more than pocket lint. The trees look really cool, and so did the giant face. One thing–Rose says they’re very ALIEN aliens and I just thought: no they’re not, they’re just people who look a bit funny. The plumber in particular was just like anybody but bluer.
  2. The observation room set Rose gets stuck in looks cool, and so do the images of the exploding earth and the sun. The engine room is a little bit dodgier, as it seems to be mostly composed of bad CG. It’s not bad enough to hurt my suspension of disbelief though.
  3. They do mention that there was a war and the Doctor’s planet was destroyed, and he’s the last son of Krypton I mean the last Time Lord. (Doctorgirl is gonna be a thing, right? Is there a Bottle City of Gallifrey?)
  4. The future is SUPER classist, and plumbers have to be given permission to talk even after being asked a direct question. And the motive for the crime here is money. Somewhere Marx is crying. They could imagine a future without religion but not without capitalism? Religion predates capitalism, guys.
  5. The three songs they bring up as “classical,” which are meant to be a joke? They’re all three actually really good pop songs. Sorry, but Tainted Love, Toxic and Disco Inferno are all pretty great songs in their own right, so that doesn’t read as a joke anymore.
  6. They explain the Tardis translation thing, which is nice.
  7. Psychic paper is stupid.

THE PRODUCTION

  1. Is Lady Cassandra a trans woman or what? What’s with the boy stuff? Queer coding villains, bleh.
  2. Were those dwarves or children?
  3. What WAS the budget on this?
  4. Do any of these alien groups come back or were they one-shots? I liked the trees a lot, I hope they come back. (Editor’s Note: The trees do not. 😦 )
  5. How much of this was Giant Rat of Sumatra stuff? It’s an incident mentioned as an aside in a Sherlock Holmes story and then never brought up again–are they going to do a fanfic thing and backfill it for continuity porn? I hope not. I don’t mind a little of that but sometimes a giant rat is better not explained.

Sources Include

General Info

Short Crespallion Actors

North/South England Material, Accents & Class Issues

Trans Issues in Doctor Who: Cassandra

Rose and Jackie’s Character

Russell T. Davies and Religion